презентация по организации инклюзивного образования
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презентация по организации инклюзивного образования, Blues shouter - Wikipedia, Blues Shouters, 10 Things You Didn't Know About Joe Cocker - American Blues Scene, Shoutin' Out: A Crash Course on Blues Shouting – Flypaper, The blues shouters: Big Joe Turner is here - Blues Roadhouse, Blues History, Blues shouter - Academic Dictionaries and Encyclopedias.
Blues ShoutersBig Joe TurnerThe term ‘Blues Shouter’ means something more than the sum of the two individual words. It is true that most Blues Shouters belt out their songs at constant full volume, with very little regard for vocal dynamics. But to really qualify for the title, a performer also has to project a fervour and energy into their delivery that gets the audience on their feet and creates a certain electricity in the air. It is not that these people are incapable of singing quietly, it’s more that they can’t help themselves once they get going, lost in the moment, at the centre of the cyclone, given over to the power of the music.When The States was suffering the economic depression of the early 30s, not many people were buying record players and records sales ‘fell of a cliff’, compared to the heady days of ‘the roaring 20s’. However, live music was not so badly affected, and by the mid-30s many big bands were pounding the highways and filling dance-halls everywhere, playing the up-tempo ‘swing’ music that got people out onto the floor.In 1929, pianist Bill ‘Count’ Basie and singer had joined Bennie Molen’s band in Kansas City, and when Bennie passed away a few years later, the Count took over, with ‘Mr. Five-by-Five’ out front. Jimmy’s voice was so loud he barely needed a microphone, and his extrovert stage presence generated huge excitement on the crowd. Their ‘Kansas City Stomp’ style is a direct fore-runner of ‘Jump-Blues’ which is itself in direct line of descent to ‘Rock’n’Roll’. was also leading a swing band out of Kansas City and in 1938, took the Kansas sound to Carnegie Hall for the ‘‘ concert. In the years before WWII, many of the great ‘big bands’ led by Benny Goodman, , Chick Webb, and , had ‘shouters’ out front. Artie Shaw and the incomparable ‘Duke’ Ellington always remained rather more melodic, but even the Duke hired Big Joe for his touring ‘Jump For Joy Revue’.Mr. Five-by-Five & Count Basie (but without a microphone!)Music was important in maintaining public morale during the War years, but record production was badly hit by a shortage of shellac and also by the ‘‘. Live music gave people a chance to forget their troubles, and ‘Jump-Blues’ gave them plenty to get excited about. Many musicians had been drafted and war shortages meant big-bands could not afford to tour anyway, so small groups like ‘s Tympani Five showed the way forward with constant touring and 54 chart hits in the decade from 1942. This was the heyday of Blues Shouters, with great singers like Walter Brown, and fronting Jay McShann’s cut down combo, Big Joe Turner and singing for Count Basie, and and appearing with Lucky Millinder. All these singers went on to big solo careers in the 50s as their style became known as ‘R&B’, but without exception they could belt out a Blues.Louis Jordan Lets the Good Times Roll, (again no mic!)In early 50s Atlanta, an exotic cross-dressing Blues Shouter called had some success with his high-energy piano and sax-driven records and some of that image rubbed off on his protegé , who took up the banner enthusiastically. When Big Joe Turner’s 1954 record ‘Shake Rattle an’ Roll’ was covered by Bill Haley, this crossover to the mainstream meant the evolution from the Shouters to Jump-Blues to Rock’n’Roll was complete. Perhaps the best example of a ‘Blues Shouter’ in the literal sense was , the eccentric Mississippi Bluesman who always went his own way, to the extent that almost nobody could play with him, and he was consistently loud! He fashioned a nine-string guitar, and when he electrified it he nailed tin plates and beer cans to his amp to give a strange buzzing reverb effect. He bashed his guitar like a drum, his heavy thumb made bass players run for cover and his voice sounded like a chainsaw, so if you want to see a Blues Shouter that defies the stereotype of a smooth performer in front of a well-drilled band, check out Big Joe Williams, not Big Joe Turner!, A blues shouter is a blues singer, capable of singing unamplified with a band. Notable blues shouters include: Big Joe Turner – his style hardly changed at all between 1938's "Roll 'Em Pete", and 1954's "Shake, Rattle and Roll". AllMusic called Turner "the premier blues shouter of the postwar era". [8] ^ Jump up to: a b c d e f "Blues Shouters"., Blues Shouters were the big voiced performers who stood in front of big swing bands & encouraged dancers out onto the floor with their high-energy performances..
A soulful, blues shouter from England, who burst on the scene, and nearly burned out just a couple years later. Thankfully, he endured, and his career lasted over 50 years. Along the way, he won nearly every award there is, leaving an indelible imprint on the world., A closer look at the tradition of "blues shouting" in the early 1930s and '40s, which helped inspire the creation of rock 'n' roll out of jazz and gospel., The shouters were big-voiced, full-throated singers who just stood in front of the microphone and sang. They didn’t dance, or play guitar behind their back. They didn’t need to. The power and passion of their vocals said all they had to say. Their voices were their instruments, and they were masters of those instruments., The term ‘Blues Shouter’ means something more than the sum of the two individual words. It is true that most Blues Shouters belt out their songs at constant full volume, with very little regard for vocal dynamics., A blues shouter is a blues singer, often male, capable of singing with a band. The singer must project, or shout , to be heard over the drums and musical instruments of the band., A blues shouter is a blues singer, often male, capable of singing unamplified with a band. Notable blues shouters include: Walter Brown, of the Jay McShann orchestra..